Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
Jerry Shaw is an amiable slacker with an over-achieving twin brother. After his twin dies in an accident, strange things happen to Jerry at a dizzying pace: a fortune shows up in his bank account, weapons are delivered to his flat, and a voice on his cell phone tells him the police are on their way. Jerry follows the voice's instructions, and soon he and a woman he's never met are racing through the city, on to a plane, and eventually to the Pentagon, chased by the FBI. She is Rachel Holloman, a single mom; the voice has threatened her son's death if she doesn't cooperate. The voice seems to know everything. Who is behind it, what is being planned, and why Jerry and Rachel?
Jerry and Rachel are two strangers thrust together by a series of scenarios put together by a mysterious female caller. Under threat to their families and themselves, both Jerry &amp; Rachel must overcome the most hazardous of situations. Intriguingly everything around them seems to be controlled by the female voice that guides them, but just why is the FBI so hot on their tail?, does Jerry&#39;s twin brother hold the key?, all will be answered as our protagonists hurtle towards something that could have deadly consequences for America.<br/><br/>Big Brother gets a reboot and delivers a dumb, but as fun a genre picture as you will see this year. Yes it&#39;s total nonsense, but really the critics venting spleen on this one must have gone thru a popcorn entertainment bypass prior to viewing it. Director D.J. Caruso continues his Hitckcockian leanings by following his surprisingly fun Disturbia with this North By Nothwest meets a host of genre staples, the influences are very hard to miss. Yet as daft as it is, and it is folks, Eagle Eye knits together to play out as a highly accomplished piece, the action is first rate, in fact on the big screen the two main sequences explode with joyous action abandon. It isn&#39;t found wanting on the thriller front either, it&#39;s safe to say that no new ground is to be found as we get to the tick tock countdown finale, but Caruso, and writers John Glenn &amp; Travis Wright, have molded together a series of wholly interesting and thrilling strands, so much so that the finale is unable to deliver on the promise of the prior build up.<br/><br/>Shia LaBeouf seems destined to be a young actor who has to earn even the tinniest bit of respect, much like DiCaprio, i feel LaBeouf is sadly not going to get credit till later in his career. After being sidekicks to John McLaine, Indiana Jones, and erm, Optimus Prime, LaBeouf here earns his acting spurs and carries the film with a charm and credibility that the daftness of the piece doesn&#39;t deserve. Shia is helped enormously by a strong female lead, Michelle Monaghan has an impressive ability to sweat strength whilst channelling believable emotional turmoil, and her interplay with LaBeouf is the heartbeat of the picture. Of the rest, Michael Chiklis is a bit underused, but this is offset by Billy Bob Thornton continuing that knack of being one of the most watchable actors of his generation. Rosario Dawson is sadly weak and William Sadler is barely noticeable, but a nod of approval goes to Anthony Mackie who shines in a crucial sequence towards the end.<br/><br/>I went to the cinema with the two ladies in my life, we were a bit early and sat in the foyer for a while, we watched as they were queuing out the door for High School Musical 3 and weird looking people were trundling in to see Saw 5. There was a total of 12 people in the cinema to see Eagle Eye on its second week, at a peak viewing time as well. That&#39;s a dam shame because Eagle Eye may well be a dumb and fun action/thriller picture, but it&#39;s not pro porting to be anything else, and really films with honest intent are to be treasured and used for why they are made for in the first bloody place, Eagle Eye is made for those who want to shut off from the world for a couple of hours, and few films this past year have delivered what they meant to do. 7.5/10
First of all there are no spoilers in this review. There are very few movies quite like this. Others go along the same type, but not the same dynamic storyline, suspenseful moments or mystery given by this. The way the story is hidden, why people have to do what and why that character is involved is interesting enough to keep you watching. The characters are also interesting enough, with the main two having some sort of back story somewhat relevant to the plot. They have their emotional moments and so on which makes them feel more human and the acting is clean and shows their emotions clearly and, considering what their characters have to go through, it is very good. You also have the detective police guy and this other woman that I am not sure how she is relevant, but the events mainly go around the main two, with other characters popping up for 30 seconds clearly having to go through the same sort of stuff the main two do, but without the gunshots. The main idea of a woman mysteriously ringing up these people, telling them exactly what to do, with every electronic device at her disposal is interesting. There are some big explosions, some bullet shots and some deaths (The deaths can be quite violent but not actually seen in a way to make it violent) and a few sequences of suspense that leave you thinking what will happen. The final action by Gerry is powerful and a satisfying ending to the build up From the start to the end, this is a good movie. You will want to see it again for sure. This is one to remember alright
Monaghan gives a solid performance, and Billy Bob Thornton has sarcastically funny bits as an FBI agent.
Screenwriter Dan McDermott wrote the original script for Eagle Eye based on an idea by American director Steven Spielberg. When Spielberg was replaced as director by D.J. Caruso, McDermott&#39;s script was rewritten by screenwriters Eli Attie, John Glenn, Travis Wright, and Hillary Seitz. It is four time Oscar nominee Julianne Moore. This was confirmed by Rosario Dawson. Moore chose to be uncredited. Nope, not this time. Just your standard end credits. While Ariia&#39;s 73% unsaved memory was destroyed by Perez, her 27% saved is probably nowhere near as powerful and is therefore useless, wherever it may be. Other theories could be that the saved memory will return in a possible though improbable sequel, or that the memory was never actually saved and all of Ariia was destroyed at the same time, or the saved memory was found and destroyed. The most likely theory would be the latter since a sequel will probably never be in the works. There is an alternate ending that set up a sequel in which Sam was contacted by Ariia through his Xbox. However, that ending was not used, and therefore no other possible continuity is being set up for later on.
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